發布：2019-06-16 17:16:00編輯：視頻君來源：視頻教程網
知識點：《簡奧斯丁》 收集：豐菊鉸 編輯：風信子
本知識點包括：1、求簡.奧斯汀六部小說中文完整TXT版 2、關于簡·奧斯汀的研究現狀是什么啊？ 3、簡·奧斯汀 的一生、事跡、 4、簡·奧斯丁《愛瑪》的內容簡介 5、求《簡 奧斯丁的遺憾》高清種子，謝啦~ 。
English writer, who first gave the novel its modern character through the treatment of everyday life. Although Austen was widely read in her lifetime, she published her works anonymously. The most urgent preoccupation of her young, well-bred heroines is courtship, and finally marriage. Austen's best-known books include Pride and Prejudice (1813) and Emma (1816). Virginia Woolf called her "the most perfect artist among women."
Jane Austen was born in Steventon, Hampshire, where her father was a rector. She was the second daughter and seventh child in a family of eight. The first 25 years of her life Austen spent in Hampshire. She was tutored at home. Her parents were avid readers and she received a broader education than many women of her time. On her father's retirement, the family moved to Bath.
Austen focused on middle-class provincial life with humor and understanding. She depicted the life of minor landed gentry, country clergymen and their families, in which marriage mainly determined women's social status. Most important for her were those little matters, as Emma says, "on which the daily happiness of private life depends." Although Austen restricted to family matters, and she passed the historical events of the Napoleonic wars, her wit and observant narrative touch has been inexhaustible delight to readers. Of her six great novels, four were published anonymously during her lifetime. At her death on July 18, 1817 in Winchester, Austen was writing the unfinished Sanditon. Austen was buried in Winchester Cathedral.
When Mr.Henry Dashwood dies,he must leave the bulk of his estate to the son by his first marriage,which leaves his second wife and three daughters (Elinor,Marianne,and Margaret) in straitened circumstances,they are left with no permanent home and very little income.Mrs.Dashwood and her daughters (Elinor,Marianne,and Margaret) are invited to stay with their distant relations,the Middletons,at Barton Park.but their lack of fortune affects the marriageability of both practical Elinor and romantic Marianne.Elinor is sad to leave their home at Norland because she has become closely attached to Edward Ferrars,the brother-in-law of her half-brother John.However,once at Barton Park,Elinor and Marianne discover many new acquaintances,including the retired officer and bachelor Colonel Brandon,and the gallant and impetuous John Willoughby,who rescues Marianne after she twists her ankle running down the hills of Barton in the rain.And though Mrs.Jennings tries to match the worthy (and rich) Colonel Brandon to her,Marianne finds the dashing and fiery Willoughby more to her taste.So swept away by passion is Marianne that her behavior begins to border on the scandalous.Then Willoughby abandons her; meanwhile,Elinor's growing affection for Edward suffers a check when he admits he is secretly engaged to a childhood sweetheart.How each of the sisters reacts to their romantic misfortunes,and the lessons they draw before coming finally to the requisite happy ending forms the heart of the novel.Though Marianne's disregard for social conventions and willingness to consider the world well-lost for love may appeal to modern readers,it is Elinor whom Austen herself most evidently admired; a truly happy marriage,she shows us,exists only where sense and sensibility meet and mix in proper measure.
When Mr.Henry Dashwood dies,he must leave the bulk of his estate to the son by his first marriage,which leaves his second wife and three daughters (Elinor,Marianne,and Margaret) in straitened circumst...
Jane Austen's (1775–1817) distinctive literary style relies on a combination of parody, burlesque, irony, free indirect speech, and a degree of realism. She uses parody and burlesque for comic effect and to critique the portrayal of women in 18th-century sentimental and gothic novels. Austen's irony is used similarly, but extends her critique, highlighting social hypocrisy. She often creates an ironic tone through free indirect speech, in which the thoughts and words of the characters mix with the voice of the narrator. The degree to which critics believe Austen's characters have psychological depth informs their views regarding her realism. While some scholars argue that Austen falls into a tradition of realism because of her diligent, finely executed portrayal of individual characters and her emphasis on "the everyday", others contend that her characters lack depth of feelings compared with earlier works, and that this, combined with Austen's polemical tone, places her outside the realist tradition.
Austen's novels have often been characterized as "country house novels" or as "comedies of manners", however they also include fairy tale elements. Compared to other early 19th-century novels, Austen's have little narrative or scenic description—they contain much more dialogue. Within the many conversations that her characters have, Austen shapes a distinctive and subtlety-constructed voice for each of them.
Austen's plots are fundamentally about education; her heroines come to see themselves and their conduct more clearly, and become better, more moral people. While Austen steers clear of the formal moralizing which is rather common in contemporary literature, morality—characterized by manners, duty to society, and religious seriousness—is a central theme of her works. Throughout her novels, serious reading is associated with intellectual and moral development. The extent to which Austen's novels reflect feminist themes has been extensively debated by scholars; however, most critics agree that her novels highlight how some female characters take charge of their own worlds while others are confined, physically and spiritually. Almost all of her works explore the precarious economic situation in which women of the late 18th and early 19th centuries found themselves.
Austen's novels have variously been described as politically conservative and progressive. For example, one strand of criticism claims that Austen's heroines support the existing social structure through their dedication to duty and sacrifice of their personal desires. Another strand, however, argues that she is skeptical of the paternalistic ruling other, evidenced by her ironic tone. Within her exploration of the political issues surrounding the gentry, Austen addresses issues relating money and property, particularly the arbitrariness of property inheritance and the precarious economic position of women. Throughout Austen's work there is a tension between the claims of society and the claims of the individual. Austen is often considered one of the originators of the modern, interiorized novel character.
來自英文維基,僅做參考.希望能幫助到你.
carve attentively on a two-inch ivory.
Jane Austen (16 December 1775 – 18 July 1817) was an English novelist whose realism, biting social commentary and masterful use of free indirect speech, burlesque and irony have earned her a place as one of the most widely read and best-loved writers in English literature.[1]
Austen lived her entire life as part of a small and close-knit family located on the lower fringes of English gentry.[2] She was educated primarily by her father and older brothers as well as through her own reading. The steadfast support of her family was critical to Austen's development as a professional writer.[3] Austen's artistic apprenticeship lasted from her teenage years until she was about thirty-five years old. During this period, she wrote three major novels and began a fourth.[B] From 1811 until 1815, with the release of Sense and Sensibility (1811), Pride and Prejudice (1813), Mansfield Park (1814) and Emma (1815), she achieved success as a published writer. She wrote two additional novels, Northanger Abbey and Persuasion, both published after her death in 1817, and began a third, which was eventually titled Sanditon, but died before completing it.
Austen's works critique the novels of sensibility of the second half of the eighteenth century and are part of the transition to nineteenth-century realism.[4][C] Austen's plots, though fundamentally comic,[5] highlight the dependence of women on marriage to secure social standing and economic security.[6] Like those of Samuel Johnson, one of the strongest influences on her writing, her works are concerned with moral issues.[7]
During her lifetime, Austen's works brought her little fame and only a few positive reviews. Through the mid-nineteenth century, her novels were admired only by a literary elite. However, the publication of her nephew's A Memoir of Jane Austen in 1869 introduced her life and works to a wider public. By the 1940s, Austen was firmly ensconced in academia as a "great English writer", and the second half of the twentieth century saw a proliferation of Austen scholarship that explored many aspects of her novels: artistic, ideological, and historical. In popular culture, a Janeite fan culture has developed, centred on Austen's life, her works, and the various film and television adaptations of them.
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提示：奧斯汀的作品格調輕松詼諧，富有喜劇性沖突。由于奧斯汀終其一生都生活在封建勢力強大的鄉村，加之家境殷實，所以生活圈子很校這使得她的作品往往局限于普通鄉紳的女兒戀愛結婚的故事當中，而她的作品也從某種程度上反映出了封建勢力的觀點。作...
提示：簡·奧斯汀（1775年12月16日～1817年7月18日）英國女小說家。生于鄉村小鎮斯蒂文頓，父親是當地教區牧師。奧斯汀沒有上過正規學校，但受到較好的家庭教育，主要教材就是父親的文學藏書。奧斯汀一家愛讀流行小說，多半是庸俗的消遣品。她少女時期...
提示：小說的女主人公愛瑪·伍德豪斯年輕、漂亮、聰明，并且有錢，但她特別喜歡為別人做媒，且經常隨心所欲，而不是按照情理。哈里特是個私生女，但年輕漂亮，深為愛瑪所喜歡。愛瑪認為哈里特雖不太聰明，但如果與既無財產又無地位的羅伯特·馬丁成雙配...
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