rapping

知識(shí)點(diǎn)：《rapping》 收集：宗惱山 編輯：百合仙子
本知識(shí)點(diǎn)包括：1、Hip-hop 和 Rap 有什么區(qū)別? 2、嘻哈和HipHop是不是一樣��？ 3、嘻哈和雷鬼有什么區(qū)別？ 4、說唱，饒舌和嘻哈的區(qū)別和聯(lián)系 5、breaking、popping、hiphop 分別是什么舞種？ 。

《rapping》相關(guān)知識(shí)

這兩句都是出自于《雙城記》第一章,不過,第一句的英文有誤,原文是：Even the Cock-lane ghost had been laid only a round dozen of years,after rapping out its messages,句中的“a”和“ round”是分開寫的,不是一個(gè)詞,這里的round是一個(gè)形容詞,意為“完整的,十足的”,a round dozen of作為一個(gè)短語來說就是“整整一打.”,整段話的意思是“即使雄雞巷的幽靈在咄咄逼人地發(fā)出它的預(yù)言之后銷聲匿跡整整十二年,”

至于上文中的第二句“In short,the period was so far like the present period,that some of the noisiest authorities insisted on its being received,for good or for evil,in the superlative degree of comparision only”,該句出自于《雙城記》第一章第一段段尾,中文的譯文是“簡而言之,那時(shí)跟現(xiàn)在非常相象,某些最喧囂的權(quán)威堅(jiān)持要用形容詞的最高級(jí)來形容它.說它好,是最高級(jí)的；說它不好,也是最高級(jí)的.”

知識(shí)拓展：

1： 《雙城記》中的好句子忘了說了，用英文，呵呵

知識(shí)要點(diǎn)歸納：

雙城記（《The tale of two cities》）是我最喜歡的外國小說之一.第一章第一段“時(shí)代”（The period）：It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way--in short, the period was so. far like the present period, that some of its noisiest authorities insisted on its being received, for good or for evil, in the superlative degree of comparison only. 那是最美好的時(shí)代,那是最糟糕的時(shí)代；那是智慧的年頭,那是愚昧的年頭；那是信仰的時(shí)期,那是懷疑的時(shí)期；那是光明的季節(jié),那是黑暗的季節(jié)；那是希望的春天,那是失望的冬天；我們?nèi)�都在直奔天�?我們?nèi)�都在直奔相反的方�?-簡而言之,那時(shí)跟現(xiàn)在非常相象,某些最喧囂的權(quán)威堅(jiān)持要用形容詞的最高級(jí)來形容它.說它好,是最高級(jí)的；說它不好,也是最高級(jí)的.

另：Sydeny最后的獨(dú)白：（我個(gè)人認(rèn)為最經(jīng)典）

They said of him, about the city that night, that it was the peacefullest man's face ever beheld there. Many added that he looked sublime and prophetic.

One of the most remarkable sufferers by the same axe--a woman--Had asked at the foot of the same scaffold, not long before, to be allowed to write down the thoughts that were inspiring her. If he had given an utterance to his, and they were prophetic, they would have been these:

`I see Barsad, and Cly, Defarge, The Vengeance, the Juryman, the Judge, long ranks of the new oppressors who have risen on the destruction of the old, perishing by this retributive instrument, before it shall cease out of its present use. I see a beautiful city and a brilliant people' rising from this abyss, and, in their struggles to be truly free, in their triumphs and defeats, through long long years to come, I see the evil of this time and of the previous time of which this is the natural birth, gradually making expiation for itself and wearing out.

`I see the lives for which I lay down my life, peaceful, useful, prosperous and happy, in that England which I shall see no more. I see Her with a child upon her bosom, who bears my name. I see her father, aged and bent, but otherwise restored, and faithful to all men in his healing office, and at peace. I see the good old man, so long their friend, in ten years' time enriching them with all he has, and passing tranquilly to his reward.

`I see that I hold a sanctuary in their hearts, and in the hearts of their descendants, generations hence. I see her, an old woman, weeping for me on the anniversary of this day. I see her and her husband, their course done, lying side by side in their last earthly bed, and I know that each was not more honoured and held sacred in the other's soul, than I was in the souls of both.

`I see that child who lay upon her bosom and who bore my name, a man winning his way up in that path of life which once was mine. I see him winning it so well, that my name is made illustrious there by the light of his. I see the blots I threw upon it, faded away. I see him, foremost of just judges and honoured men, bringing a boy of my name, with a forehead that I know and golden hair, to this place--then fair to look upon, with not a trace of this day's disfigurement--and I hear him tell the child my story, with a tender and a faltering voice.

`It is a far, far better thing that I do, than I have ever done; it is a far, far better rest that I go to than I have ever known.'

那天晚上城里的人議論起來,說他的面孔是在那兒所見到的最平靜的面孔.不少的人還說他顯得崇高,像個(gè)先知.

死在同一把利斧之下的引人注目的受難者中有一個(gè)婦女,不久前曾在同一個(gè)刑架的腳下要求準(zhǔn)許寫下激蕩在她胸中的思想.若是卡爾頓能抒發(fā)他的感想,而他的感想又出自先知之口,那么,他的想法會(huì)是這樣：

“我看見巴薩、克萊、德伐日、復(fù)仇女神、陪審員、法官,一長串新的壓迫者從被這個(gè)懲罰工具所摧毀的老壓迫者們身上升起,又在這個(gè)懲罰工具還沒有停止使用被消滅.我看見一座美麗的城市和一個(gè)燦爛的民族從這個(gè)深淵中升起.在他們爭取真正的自由的奮斗中,在他們的勝利與失敗之中,在未來的漫長歲月中,我看見這一時(shí)代的邪惡和前一時(shí)代的邪惡（后者是前者的自然結(jié)果）逐漸贖去自己的罪孽,并逐漸消失.

“我看見我為之獻(xiàn)出生命的人在英格蘭過著平靜、有貢獻(xiàn)、興旺、幸福的生活—一我是再也見不到英格蘭了.我見到露西胸前抱著個(gè)以我命名的孩子.我看見露西的父親衰老了、背駝了,其它方面卻復(fù)了原,并以他的醫(yī)術(shù)忠實(shí)地濟(jì)世救人,過著平靜的生活.我看見他們的好友,那個(gè)善良的老人,在十年之后把他的財(cái)產(chǎn)贈(zèng)送給了他們,并平靜地逝世,去接受主的報(bào)償.

“我看見我在他們和他們無數(shù)代后裔心里占有神圣的地位.我看見露西成了個(gè)龍鐘老婦,在我的祭日為我哭泣.我看見她跟她的丈夫正結(jié)束生命的歷程,并排躺在彌留的榻上.我知道他倆彼此在對(duì)方的靈魂中占有光榮崇高的地位,而我在他倆靈魂中的地位則更光榮、更崇高.

“我看見躺在她懷里的以我命名的孩子長大成人,在我曾走過的道路上奮勇前行.我看見他業(yè)績優(yōu)異,以他的光耀使我的名字輝煌.我看見我染在那名字上的污跡消失.我看見他站在公平正直的法官和光明磊落的人們的最前列.我看見他帶了一個(gè)又以我命名的孩子來到這里.那時(shí)這里已是一片美景,全沒了今天的扭曲和丑惡.那孩子長了個(gè)我所熟悉的前額和一頭金發(fā).我聽見他告訴孩子我的故事,聲音顫抖,帶著深情.

“我現(xiàn)在已做的遠(yuǎn)比我所做過的一切都美好；我將獲得的休息遠(yuǎn)比我所知道的一切都甜蜜.”

2： 雙城記好詞好句急

知識(shí)要點(diǎn)歸納：

那是最美好的時(shí)代,那是最糟糕的時(shí)代；那是智慧的年頭,那是愚昧的年頭；那是信仰的時(shí)期,那是懷疑的時(shí)期；那是光明的季節(jié),那是黑暗的季節(jié)；那是希望的春天,那是失望的冬天；我們擁有一切,我們一無所有;我們?nèi)�都在直奔天�?我們?nèi)�都在直奔相反的方�?-簡而言之,那時(shí)跟現(xiàn)在非常相象,某些最喧囂的權(quán)威堅(jiān)持要用形容詞的最高級(jí)來形容它.說它好,是最高級(jí)的；說它不好,也是最高級(jí)的.

這是我一生中最樂意做的事 這里是我最好的安息之所

3： 需要5句出現(xiàn)在英文版的《雙城記》中的名言佳句,一定要英文的最好注明在書的第幾章

知識(shí)要點(diǎn)歸納：

To the world you may be one person,but to one person you may be the world.

對(duì)于世界而言,你是一個(gè)人；但是對(duì)于某人,你是他的整個(gè)世界.

`It is a far,far better thing that I do,than I have ever done; it is a far,far better rest that I go to than I have ever known.'

“我現(xiàn)在已做的遠(yuǎn)比我所做過的一切都美好；我將獲得的休息遠(yuǎn)比我所知道的一切都甜蜜.”

4： 求《雙城記》的開頭這是一個(gè)最壞的時(shí)代,這是一個(gè)最好的時(shí)代;這是一個(gè)令人絕望的冬天,這是一個(gè)充滿希望的春天;我們面前什么都沒有,我們面前什么都有.要這一段,很經(jīng)典的

知識(shí)要點(diǎn)歸納：

那是最美好的時(shí)代,那是最糟糕的時(shí)代；那是智慧的年頭,那是愚昧的年頭；那是信仰的時(shí)期,那是懷疑的時(shí)期；那是光明的季節(jié),那是黑暗的季節(jié)；那是希望的春天,那是失望的冬天；我們?nèi)�都在直奔天�?我們?nèi)�都在直奔相反的方�?-簡而言之,那時(shí)跟現(xiàn)在非常相象,某些最喧囂的權(quán)威堅(jiān)持要用形容詞的最高級(jí)來形容它.說它好,是最高級(jí)的；說它不好,也是最高級(jí)的.

5： 【英.狄更斯《雙城記》中的好詞好句】

知識(shí)要點(diǎn)歸納：

狄更斯是十九世紀(jì)英國最偉大的作家,他在自己的作品中,以高超的藝術(shù)手法,描繪了包羅萬象的社會(huì)圖景,塑造出眾多令人難忘的人物形象.他的三十多年來的創(chuàng)作生涯,為英國文學(xué)和世界文學(xué)作出了卓越的貢獻(xiàn),他的代表作《雙城記》深刻描寫18世紀(jì)封建制度下日漸腐敗的歐洲貴族,鮮明地將貴族長期殘害百姓、草營人命的惡行公諸于世.狄更斯生動(dòng)地刻畫出平民百姓受苦受難的悲慘生活.人民生活在困苦無助、饑寒交迫、貧病連連、受盡欺壓的困境中,他們心中郁積了對(duì)貴族的刻骨深仇,終于引發(fā)了推翻政權(quán)、爭取自由的法國大革命.

在社會(huì)動(dòng)蕩不安的年代里,英、法兩國的關(guān)系更加緊張,頻繁來往英法兩國的人們,常常被懷疑為通風(fēng)報(bào)信的間諜.巴黎最貧困的圣·安東尼區(qū)里,匯集了許多窮苦的人民.酒店成為農(nóng)民“雅客”的大本營.人民暗中商討對(duì)策、招兵買馬,進(jìn)行著推翻政府的計(jì)劃.

殘暴的埃夫勒蒙德兄弟,以胡作非為、凌虐百姓而臭名昭著.身為埃夫勒蒙德家族的查爾斯背負(fù)著家族的歷史罪名.查爾斯與西德尼擁有諸多相似之處,甚至愛上同一名女子,為了女主角露西的幸福,西德尼寧可犧牲自己的生命.精神恍惚的曼內(nèi)特醫(yī)生遭遇離奇,北塔105號(hào)暗藏玄機(jī).《雙城記》深刻描繪了動(dòng)蕩不安的時(shí)代背景,以及為歷史現(xiàn)實(shí)而犧牲的兒女情長.

I love you not because of who you are,but because of who I am when I am with you.

我愛你,不是因?yàn)槟闶且粋�(gè)怎樣的人,而是因?yàn)槲蚁矚g與你在一起時(shí)的感覺.

No man or woman is worth your tears,and the one who is,won‘t make you cry.

沒有人值得你流淚,值得讓你這么做的人不會(huì)讓你哭泣.

The worst way to miss someone is to be sitting right beside them knowing you can‘t have them.

失去某人,最糟糕的莫過于,他近在身旁,卻猶如遠(yuǎn)在天邊.

Never frown,even when you are sad,because you never know who is falling in love with your smile.

縱然傷心,也不要愁眉不展,因?yàn)槟悴恢�是誰會(huì)愛上你的笑容.

To the world you may be one person,but to one person you may be the world.

對(duì)于世界而言,你是一個(gè)人；但是對(duì)于某個(gè)人,你是他的整個(gè)世界.

Don‘t waste your time on a man/woman,who isn‘t willing to waste their time on you.

不要為那些不愿在你身上花費(fèi)時(shí)間的人而浪費(fèi)你的時(shí)間.

Just because someone doesn‘t love you the way you want them to,doesn‘t mean they don‘t love you with all they have.

愛你的人如果沒有按你所希望的方式來愛你,那并不代表他們沒有全心全意地愛你.

Don‘t try so hard,the best things come when you least expect them to.

不要著急,最好的總會(huì)在最不經(jīng)意的時(shí)候出現(xiàn).

Maybe God wants us to meet a few wrong people before meeting the right one,so that when we finally meet the person,we will know how to be grateful.

在遇到夢中人之前,上天也許會(huì)安排我們先遇到別的人；在我們終于遇見心儀的人時(shí),便應(yīng)當(dāng)心存感激.

Don‘t cry because it is over,smile because it happened.

不要因?yàn)榻Y(jié)束而哭泣,微笑吧,為你的曾經(jīng)擁有.

If you love someone,let it be and set him／her free,if he／she comes back to you,it"s meant to be.

如果你愛一個(gè)人,隨遇而安,讓他／她自由的飛,如果最后他／她還是回到你身邊,那就是命中注定的.

猜你喜歡：

1：Hip-hop 和 Rap 有什么區(qū)別?

提示：1、Rap和Hip-Hop是都市音樂的分支。雖然兩者有時(shí)候交互著，但是rap通常指“音樂的類型”，而hip-hop通常指“整個(gè)亞文化”。Hip-Hop的發(fā)展主要是源自于Rap--饒舌歌，但和Rap不同的地方是Hip-Hop有著反覆的旋律和比較復(fù)雜的節(jié)奏。 2、rap是音樂曲風(fēng)的...

2：嘻哈和HipHop是不是一樣�。�

提示：嘻哈/黑浩普/協(xié)合/嬉蹦(hip hop)是一種源自非洲原始部落的流行文化。它首先在紐約市市區(qū)的非裔及拉丁裔青年之間興起,繼而發(fā)展壯大,并席卷全球。嘻哈...

3：嘻哈和雷鬼有什么區(qū)別？

提示：我找到的一些音樂類別介紹,希望對(duì)你有幫助。 嘻哈/黑浩普/協(xié)合/嬉蹦(hip hop)是一種源自非洲原始部落的流行文化。它首先在紐約市市區(qū)的非裔及拉丁裔...

4：說唱，饒舌和嘻哈的區(qū)別和聯(lián)系

提示：搖滾卻是另外一回事 主要分朋克 金屬。。。還有好多rap=說唱。饒舌是指有特定歌詞段中一些類似于繞口令的段落。rap是一個(gè)黑人俚語中的詞語,相當(dāng)于“談話...

5：breaking、popping、hiphop 分別是什么舞種？

提示：1、Breaking: Breaking(又譯Breakdance、b-boying,b-girl)是一種以個(gè)人風(fēng)格為主的技巧性街舞舞種...